Mariano Mellino

Representing WorldWide (excluding North & South America). Mariano Mellino, born in Buenos Aires, began his career in electronic music at the age of 19, inspired by references such as Hernán Cattáneo, Nick Warren, John Digweed, Sasha and Danny Howells, among others exponents of the house and its derivatives. More than two decades later, was consolidated as one of the most representative figures of the Progressive House, with a sound that combines elegance, depth and a unique emotional connection with the dance floor, maintaining a precise and engaging musical narrative. His Audioholics cycle, born as a radio show, was transformed into an international party, with editions in different parts of the world, including Europe where the recent presentation in ADE (Amsterdam Dance Event) and in Australia stood out. In Argentina, Audioholics has achieved consecutive sold outs in iconic locations such as Mandarine Park, Mandarine Tent, Metropolitano Rosario, Forja Córdoba and Mute Mar del Plata, consolidating itself as one of the most representative experiences of the Progressive House. In 2025, Mellino was the official opening show of OASIS at the River Plate Stadium, marking a new milestone in his career and the historical recognition of electronic music. His name has also been present in renowned national and international festivals such as Ultra Music Festival, Balance Croatia, Brunch Electronik, Cosquín Rock, Lollapalooza, Harlem Festival, Bandera Festival, Walung and many more, sharing booth with artists such as Hernan, Cattaneo, Solomun, Tale Of Us, Eric Prydz, John Digweed, Sasha, Artbat, Black Coffee, Stephan Bodzin, Acid Pauli, among others. His productions have reached the highest rankings of Beatport and appear in renowned labels such as Bedrock, Balance, Renaissance, Atlant, Sudbeat, Selador, Tronic, Global Underground among others, with the support of the main references of the genre. Mariano Mellino represents the new scene of the Argentine Progressive House: mature, emotional and international.